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As his new exhibition, The Infinite Episode, opens in Paris tomorrow, Jitish Kallat shares why two of his seminal works from 2009 are also part of this showcase, the success stories from the Kochi-Muziris Biennale 2014 that he curated and unveiling a 55-feet wide permanent sculpture in Austria next month
Jitish Kallat in his studio with the graphite drawings, Wind Study (The Hour of the Day of the Month of the Season), in the background
Q. What was the idea behind creating a mix of drawings, sculptures, photo-pieces as well as a video for this exhibition?
A. I always work on various pieces at the same time, and these are not directed by the medium but by the ideas I'm exploring. My exhibitions often reflect the simultaneity of processes that go on in the studio… For instance, as a part of the exhibition, I'm exhibiting Flowchart, a repository of working drawings, watercolours, tea-washes, gouaches and sculptural elements, placed in a hexagonal vitrine. In the single-channel video, Infinitum (here after here), 30 rotis morph with the waxing and waning images of the moon, connecting notions of the body, sustenance, the astral and the sky.
A projection from the single channel video, Infinitum (here after here), 2014.Pic courtesy/Galerie Daniel Templon, Paris/Jitish Kallat
Q. Why did you incorporate two of your earlier works, Annexation (a sculpture) and Forensic Trail of the Grand Banquet (a video) dating back to 2009, in this exhibition?
A. Galerie Daniel Templon (in Paris, where the exhibition will take place) has two spaces and my exhibitions continue across both venues. Annexation and Forensic Trail of the Grand Banquet will be exhibited in the smaller space as they are closely linked to the recent pieces in The Infinite Episode. In many ways, Sightings D9M4Y2015 is an outcome from Forensic Trail of the Grand Banquet where numerous X-ray scans of food becomes a journey through a cosmic field.
Q. Do you believe that when you are presenting to an international audience, there is more scope for experimentation?
A. One's level of experimentation is linked to shifts in one's vision and the energy in the studio at any given point, and not with the nationality of one's audience.
A close up from the seven-part lenticular photographic work, Sightings D9M4Y2015. Pic courtesy/Galerie Daniel Templon, Paris/Jitish Kallat
Q. What's next for you?
A. Currently, I have another ongoing solo at the Art Gallery of New South Wales, the museum in Sydney. On October 11, a 55-feet wide permanent sculpture of mine will be unveiled in Austria. Next month, I'll also be exhibiting at Aurora in Dallas followed by a public lecture at San Francisco Asian Art Museum on October 17. There are several other shows in the months leading to my solo in Mumbai, which will open in January after a gap of five years.
The Infinite Episode will be on view at Galerie Daniel Templon, Paris, from September 5 to October 31.
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