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Why Shantaram makes me mad

There’s a difference between movies that try to explain India and those, like Shantaram, that exploit it. India is incidental in this TV series made by non-Indians for non-Indians

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Realising that he had written the only best-seller he would ever write, G D Roberts did what every self-respecting hippie entrepreneur does—shaved himself bald, applied a red tika, put on saffron robes and wrote a book called The Spiritual Path

Realising that he had written the only best-seller he would ever write, G D Roberts did what every self-respecting hippie entrepreneur does—shaved himself bald, applied a red tika, put on saffron robes and wrote a book called The Spiritual Path

C Y Gopinath Call a bar. That’s what it sounded like. The person speaking was an underworld don of Mumbai and he was referring to one of his territories called, apparently, Call-a-bar. I had a moment of cognitive dissonance before realising that he was referring to Colaba.

On the TV in front of me was Apple TV+’s blockbuster TV series, Shantaram, based on the eponymous book by Gregory David Roberts that was quite the sensation in the early 2000s. 

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