Updated On: 18 June, 2025 08:11 AM IST | Mumbai | Mayank Shekhar
Barring the turban, and the language of expression, it’s equally a mystery to me how so much of current Punjabi hop-hop stardom fits so seamlessly into African-American pop-culture, without quite coming across as caricatures/fakery

A still from The Killing Call, a two-part documentary on the murder of Punjabi hip-hop star Sidhu Moose Wala
He was a storm, and storms don’t last,” says a character in The Killing Call, BBC’s killer, two-part documentary (that’s dropped on YouTube), on the assassination of hip-hop star, Sidhu Moose Wala (nee Shubhdeep Singh Sidhu), in rural Punjab, May 29, 2022.
Another character exclaims how Sidhu packed 50 years into a five-year career: “Two films, three albums, an EP, 30-35 songs (even) leaked…” An absolute glocal sensation.
Which was also my first thought, learning about Yo Yo Honey Singh from Mozez Singh’s doc, Famous (on Netflix) — that his rise, before fall, lasted three years (2012-2014), really.